Interior Design Magazine lists our David Kordansky Gallery as their top Garage Conversion.

December 26, 2014 Buildings

See how we transformed a body shop, food market and martial arts studio into one of Los Angeles' premier galleries in Interior Design Magazine. "For the Kordansky Gallery in Los Angeles, opened in September, wHY merged several buildings, including a food market and car repair shop, to create a soaring space for art—paying homage to the structure’s industrial roots by exposing trusses and ducts."


December 9, 2014 Buildings, Ideas

Paul Goldberger, architecture critic for Vanity Fair, moderates a discussion between the key architects involved in the Clark Art Institute’s campus expansion program, recorded on June 28, 2014 as the Clark prepared for the grand opening of its facilities. Panelists include Tadao Ando (Tadao Ando Architect & Associates, Osaka, Japan); Annabelle Selldorf (Selldorf Architects, New York, New York); Maddy Burke-Vigeland (Gensler, New York, New York); Gary Hilderbrand (Reed Hilderbrand Landscape Architecture, Cambridge, Massachusetts); Kulapat Yantrasast (wHY Architecture, Culver City, California); and Michael Conforti, director of the Clark Art Institute.

Accessible Design at WAM

November 18, 2014 Buildings

Misa Lund of wHY  talked about the importance of enabling design in cultural settings and showed slides of our planned pedestrian bridge for the Worcester Art Museum in Massachusetts. See how we are improving lives with accessible design at the Worcester Museum of Art. Slideshow on 


November 11, 2014 Buildings, Ideas

Architect Magazine has the details of this Sunday's public opening of the Harvard Art Museums, where we worked with the staff to combine the collections of three museums into one.

Construction Update: Speed Art Museum

November 7, 2014 Buildings

The new Speed opening 2016!

Samurai Coverage in the LA Times

November 3, 2014 Buildings, Ideas

"In Japan, red is the color of the sun, as witness the red disk in the center of the national flag. The rosy light reflects off the white ceiling and is diffused overhead, gently bathing the exhibition. The glow speaks simultaneously of elegant sexiness and “Throne of Blood” violence." -Christopher Knight in the Los Angeles Times  Learn more about the design here.