“I design spaces for art with similar considerations, whether the work is sold or not. Good spaces start with good proportion, scale and relationship between materials and light. Flexibility plays an even larger role in a gallery, as the space must work well for various types of art and activities. We paid lots of attention to the quality of light in San Francisco, wanting to make sure the gallery space works as well in cloudy days as sunny ones. The sense of place is so clear around there and we want to celebrate and enhance it. It [Gagosian Gallery] does not really respond to SFMOMA’s new architecture. The gallery responds to its own historic legacy and context as a building.” - Kulapat Yantrasast >>> http://www.culturedmag.com/kulapat-yantrasast-larry-gagosian/
Located on Cape Yamu, near the newly opened COMO Hotel, the 8,000-square-foot Phuket House is strategically designed to allow for views to the Andaman Sea while keeping privacy from the neighbors on each side. It marks the second residence in Thailand to be completed by wHY this year.
Created in 1995, art4d is an international architecture, art and design magazine based in Bangkok, acting as a venue for cultural dialogue within Thailand – within Asia – and worldwide. >>> https://issuu.com/studiohutto/docs/p.6_20160505_art4d_236_credit
As part of the Social Saturday series, wHY Grounds Workshop Leader Mark Thomann presents recent and ongoing landscape and urban design projects.
One year ago today, on June 12, 2015 at, Yoko Ono, Mayor Rahm Emanuel, Project 120 team members, and community leaders held a Ground Healing Ceremony on the site of SKY LANDING, Ono’s first permanent public art installation in North America. wHY is serving as the architect of record for SKY LANDING and lead master planner for the re-design of Jackson Park. Read more here.
The jury commented that wHY’s design proposal “The jury felt that your design proposal had a strong concept, with an intriguing shape and dramatic and compelling imagery. The civic spaces were strong, and your team demonstrated clear thinking about the multiple functions of the museum, not just the gallery spaces. The porous quality of the museum was admired, with a clear attempt made to reach out to the surrounding neighborhood through multiple entrances. The jury enjoyed the presentation style and technique – this level of engagement and enthusiasm was felt to be a particular strength.” Read more here.